Today presented at the Centro Cultural Círculo de Lectores the new edition of Biography, collecting the poetry of Félix Grande from 1958 to today. The Gutenberg Galaxy public / Ballantine Books and takes as input a prefatory study of Angel Luis Prieto de Paula.
"Bones of the calamity, gauze of mercy" Prieto de Paula called the prologue in a characterization that defines the meaning of the poetry of Félix Grande. From Taranto. H omenaje Cesar Vallejo-that defines the mood and moral and aesthetic roots of his poetry to the recent and unprecedented The hair of the Shoah, White through spirituals, I can write the saddest lines tonight or The Rubaiyat of Horace Martin, Félix Grande has completed one of the most powerful and refreshing works of contemporary English poetry. A play written with an indomitable commitment to language and ethics.
Editing Biography presented today includes the recent and unprecedented The hair of the Shoah, a long and intense poem about nineteen fifty kilos of hair cut for women deported to the Auschwitz extermination camp.
Editing Biography presented today includes the recent and unprecedented The hair of the Shoah, a long and intense poem about nineteen fifty kilos of hair cut for women deported to the Auschwitz extermination camp.
A poem begins with these questions:
Do you hear the call?
rush down Is mutinous grunts amino
architects of Consciousness?
Arden on its axis "
the anthracite of the scandal?
and closes with this desolation interrogative:
Do you know how to listen?
The hair of the Shoah is also a poem rocked most of the latest Félix Grande, an explicit answer to Adorno, because writing after Auschwitz is not only possible but also more necessary and imperative that before Auschwitz.
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