




Cubri
The firm officially born in 1973, but before that date Saturio Alonso (Soria, 1953) and Felipe Hernández Cava (Madrid, 1953), and made his first steps, ( Saturio which earned him an award in the magazine Pilote ). They were both enthusiastic about reading, music, movies and comics .... Contact the group of theorists grouped around the magazine Bang! and soon authors move from comics readers. Young awareness-building with social and political reality, they realize that almost everything that was done in Spain in this area was outside the reality of country. In that sense one can say they were the pioneers of the political cartoon in Spain. Decide
The Cubri called in honor of filmmaker Stanley Kubrick and his first work was published in the journal Bang! Frames and .


The first audience in 1973 is the second award for best children's cartoon in Children's Film Festival of Gijón (The first award was in that year for the cool Venture Nieto ), for "Adventures in Wonderland", a statement against the Vietnam War.
still need a third member of this team: Pedro Arjona (Madrid, 1949) who abandons a well-paid job as Art Director of ad to run this adventure The Cubri in which the humor, illustration, comics and design would be a precarious livelihood, while the bulk of the activity would be devoted to the world underground.


In 1974, Saturio Felipe and had made many of the stories were collected in the book " which part and deals ... " (1975) was the founding publication, which appears as guest artist Adolfo Usero .
thereafter publish dozens of journals and magazines of every kind, humorous, political, current affairs, cultural ... The same
Felipe Hernandez who gave the best account of themselves between 1974 and 1978 in his work for magazines Please and Street.


For illustration, probably his best work (Felipe dixit) was commissioned to Editorial Sedmay to illustrate 1977, covers of the booklets of "History of Franco" written by Díaz Nosty and Daniel Sueiro and which began criticizing the former.




In the cartoon, you could say there were 4 main currents: one, marked by a tendency to create a new grammar in this issue of the comics, this in many works of "that part and deal ..." and involves "Mesquite" (published in 1979 in western Street, the last thing you drew Saturio before to leave the team), also involves "Luis Candelas" (magazine Madriz, 1984) up to more recent works, such as the collective book "11 M. Eleven eyes" in 2005 and that from time to later made and stored in the drawer waiting for the editorial mindset change a bit.


The second trend is the attempt of entering the English comic-with stories of fighters, migrants, marriage, arguments that address the English reality with a more orthodox language in appearance, the unfinished "Paisa" (3 episodes Rambla published in 1982, would be perhaps the best example), need to fill the vacuum with a social or critical naturalism, which had been given in literature and film, but not in the comics, where it was not until Franco's death that the great Carlos Giménez fijase what his autobiographical series.



The third line was started in the early seventies with his recreations of the black series, perhaps the greatest popularity has given him: "Shadows" and 2 detective stories Peter Parovic ("Dreams of lead" and "Corpses of permission") are the best examples.
The fourth of those jobs are called learning, in which the story has served to bring the problems of disabled people, feminists, ecologists and urban ... where the best shows was reached already in the eighties, with a series of comics that were distributed in schools on environmental issues and where the protagonist was a detective duck with airs of "The Green Duck."



To all this must be added their work for film and television, short films and documentaries, drama, designing posters, covers and hundreds of publications, collaborations with leftist parties and unions, not only in the performance of posters and artwork, but by creating partnerships and events of all kinds, partnerships with neighborhood movements in Spain in neighborhoods by creating banners, murals and all kinds of protest actions of the same problems.
BIOSKETCH
1973. Cartoon "Adventures in Wonderland"
1974-78. Various cartoons and illustrations in magazines and PLEASE Street. Also audiovisual collaborations and producing short films of the Otter.
1977. Covers for the booklets "The History of Franco."
1978. Collaboration in the documentary "At the turn of Scream, album covers and cartoons of" The Green Duck. "
1980. Posters of the play "A Certain Macbeth" meediometrajes collaborations and documentaries, various theatrical posters and handbills.
1982. Create "Paisa" for Rambla, which also published the cartoons of Peter Parovic.
1983. Began to publish "Shadows" in Cimoc.
1984. "Luis Candelas" for the Madriz magazine.
2002. Short Trio Mortal. "
2005. His last story so far in the book 11-M. Eleven eyes. Adaptation
Martínez Reverte's book The Battle of the Ebro in 2 documentaries for TVE.
2007. Documentary "Hearts of Ice" for the Foundation for Victims of Terrorism.
2008. "Fighters", a documentary about the history of Workers' Commissions.
this input data have been obtained in most of the text written by Felipe Hernández Cava in the catalog of the exhibition "The way we were" held in Seville in 2008 on the work of The Cubri .
0 comments:
Post a Comment