Pubic Area Tattoofor Men

Two magnificent exhibitions, two. Tex

Two nice event for the fans to come together illustration in Madrid at this time. Both
downtown, areas Malasaña Princess, in the afternoon or evening you can visit them both. Agradeceréis me.





The first is The ABC Museum of drawing and illustration. Copied from their website:

"Since 1891, bit by bit, cartoonists, illustrators and painters have fueled the ABC Collection, the seed, food and artistic background the ABC Museum Drawing and Illustration. A unique heritage, a century of graphic art that has been enriched by the work of more than 1,500 artists of all styles, techniques and trends of drawing and illustration to reach nearly 200,000 original drawings now available. A priceless treasure that appears before your eyes today in perfect condition and conservation magazine, virtues that will enable the study and dissemination of their funds directly and generous. "



The other is the exhibition which includes all the illustrations in the book Drawing Transcantábrico, where some of the best Press illustrators give their view from inside the train ride that runs along the Cantabrian coast, illustrators such as Raul, Federico del Barrio, Enrique Flores, M. Ángel Martín, Fernando Vicente ... etc.

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Raul Fernandez Calleja. Madrid 1960.
His beginnings in the comic could define in a realistic and classical line, began to publish professionally in Cairo magazine in 1982 with a series written by myself: The Baker Street Irregular are short stories about some guys that engaged as assistants of the famous Sherlock Holmes.



In this series only reach a few stories published since Raul has found a way that suits you most and start publishing in the journal Madriz, led by Felipe Hernández Cava , screenwriter and author who is not publish content to a type of conventional art and asking its staff and partners work than the trite. Raul saw at once that that was what he wanted to do and starts to deliver some pages of references and personal concerns, and nothing usual in the middle.





graphic constant evolution.

Closing the Madriz magazine and because of the low maturity of the English comic market will soon drift into other fields work more grateful, gradually creating a powerful personal iconography, using different media and materials, jumping from illustration to sculpture, from there to the bullet of the press and painting or writing plays. A type "irritant" for those who know him, of pure talent. You have to see him live drawing, applying color directly on the paper to understand.

So that Raul autographs.

Following the completion of artwork for some stories (Roman Ele, Ediciones de la Torre. 1983, the day she disappeared Aunt Marge, SM, 1996) and various collaborations in books such as The Rights of the Child or Museum Vivo, 16 comic and his camera, sets out an ambitious project with screenwriter Hernández Cava : will come by Swinemünde .






begins to publish the series in the Sunday supplement The Country weekly deliveries of 2 pages plus a title page that is removed later, the series is finished and published in El Pais Casset collected on the album in 1991 with the title Berlin 1931, also published this book in the Ed . Amok, 3 French editions in 1998, 99 and 2000 and Avant-Verlag, Germany, 2001, along with a couple of stories relating to the same time: King of the Congo , which had been previously published in the zero (and only) magazine All dreams Plot and , two pages that had previously appeared in Madriz.
Just before this series published a few pages in the magnificent short-lived magazine Scrambled Media.


for SM in 1992 published 4 books with your own scripts: Moliere.
is also published a collection of different stories made for Madriz, the album is titled Raul Errata (Casset).
In this same year he also published a book containing over 300 illustrations made for the Country: Notebook Perplexed (Casset).
In this book there is an expanded French edition: no less than 500 illustrations of transactions between 1986 and 2002 for El País, La Razón and La Vanguardia.






For France has sometimes worked directly with children's illustrations (Basiers papier) or magazines (Le cheval sans tête) and also in the collective album "Algerie I douleur et le mal. "


Raúl has begun working in the newspaper El Pais in 1986, and opinion articles illustrating various orders for its publications and then moves to La Razón and La Vanguardia, where it continues with similar jobs, as well as cartoons and all kinds of artwork, diversifying their style in such So it seems that it's about 4 or 5 different artists.





In 1990, the country has been sent as a graphic correspondent with journalist Ignacio Carrión the USSR, where he made 22 drawings published in the newspaper. Felipe Hernández Cava had made his own trip to Russia a few months earlier as both were very impressed by what they saw, they decided to embark on the realization of a book, it is Windows to the West (Ed. Luca French 1994 and Ed Amok, 1995), where in addition to these drawings made several stories inspired by this environment, each drawn by Raul in a different style.

contrasts the new Soviet Union. Notes from reality.






5 stories. 5 styles.

Shortly after collaborating on the project of creating a new magazine: The Eye Clinic, where he was director FH Cava, and after, Raúl Castro, Federico del Barrio and Jesus Moreno editor, but the magazine closes a few numbers.


In 1998 he published the script of a play written by Raul : bad angle.
sees the light in 2005 a book containing a number of his cartoons: Relevance , Pataphysícas Editions de la Candelaria.
In 2008, the cultural center doors Castilla published book Raul , Office of Readings, along with another designer and illustrator Peret, that of Raul is a new compilation of his work in subsequent press Notebook those of Perplexed.



In the foreword to this book offers more of the keys to his work and his ideas on illustration in recent years has been counting on several conferences and workshops in several countries.



collaborates with illustrations and with a large group of illustrators and cartoonists in the books produced by RENFE, Drawing Transcantábrico. A wonderful adventure where this group of artists get on the train and during the trip on paper are shaping their impressions of what they're looking through the windows, inside cars or in the cities and towns where they alight.


Currently
Raul continues to work with the newspapers La Razón and La Vanguardia admires all the amount of wasted talent without being noticed the weariness of daily delivery and up time.

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Raul speaks Spanish.

interesting book, written by Norman Fernandez and published in the Semana Negra Gijonesa 2002. This is actually the catalog of the original exhibition of English artists who have given their version of the character, it gives us ample information on the origins and development of this popular hero of the west over 50 years and what matters most to us: a splendid review of the English authors who have drawn their adventures.

Tex is the work of Gianluigi Bonelli and Aurelio Galleppini (Galep) , and is one of the most long-lived global cartoon as published continuously since 1948.
Since then, there have been many artists who have given their version of this character, always within a rigid set of rules that prevent change its character and expressions that have brought fame to both the protagonist and their main effects.
As we say, start booklet published in 1948 in strip form in 1958 appears monthly collection as we know it today, called Giant despite its size (16x21) in contrast to the usual booklet, which coexists with kiosks for several years.
In January 1967 the number reached Ticci Giovanni, who along with Galep Letteri and form the trio of major artists of the character.
February 1969: No. 100 is published monthly series, the first color comic character. Since then, all multiples of a hundred will consist of a special issue to color.
January 1976, appears the first adventure Tex not scripted by Gianluigi Bonelli , but by his son Sergio .
In July 1983 the number reached Claudio Nizzi , Screenwriter who has become the key writer of the series.
May 1986: Tex saw the first drawn by an author not Italian, it is Jesus Blasco .





In June 1988, to mark the 40th anniversary of the character, appears the first Albo speciale or Texon, an album of 240 large format pages and written by Nizzi and drawn by the Italian master Guido Buzzelli .
June 1989. Given the success of Texon, Bonelli creates a collection of annual cadence in which great artists from around the world give their version of the character.
The second album is drawn by Alberto Giolitti , Italian author, popular especially for his work in North America ( Turok ). In the follow Wales, Zaniboni, Victor de la Fuente, Jose Ortiz, Ticci, Capitano, Magnus, Bernet, Parlov, Font, Milazzo, Wilson, Kubert, Sommer, Brindisi ...





June 1992. Texon fifth appears first in the series work Victor de la Fuente, and the first of these special albums drawn by an Italian author.
June 1993. Texon sixth and beginning of the collaboration of José Ortiz the character.
November 1996. Texon illustrated by Jordi Bernet .
November 1997. The first Tex appears Antonio Segura; first and only non-Italian writer who has worked on the series.
June 1998. The Texon of Alfonso Font.
July 2003. Texon of appears Manfred Sommer.





is mentioned in the book and participate with their drawings in the exhibition to a little-known Argentine artist among us despite being a cartoonist veteranísimo even got to draw the Agent X9 USA: Miguel Angel Repetto, a real find. As you can see in these pages, is a great author who also performs a tribute to their stories to the teachers José Luis Salinas and Arturo del Castillo, weaknesses of this writer, as you know.





Chronology of English authors. Jordi Bernet
: Speciale Tex 10. Jesus Blasco
: 307, 308, 309, 326, 327, 328, 351, 352, 353, 369, 370, 371, 397, 398, 399, 403, 404, 405.
Victor De La Fuente : 441, 442, 456, 457, 471, 472, 1995 West Almanac, Special Tex 5.
Alfonso Font : 523, 524, 525, 538, 539, 556, 557, 573, 574, 593, 594, 595, West Almanac 2000, 2001 Maxi Tex, Tex Special 12.
José Ortiz : 449, 450, 458, 459, 460, 478, 479, 494, 495, 496, 515, 516, 517, 540, 541, 550, 551, 558, 559, 596, 597, Almanac 2006 West, Tex 1997 Maxi, Maxi 1999 Tex, Tex Maxi 2004, Maxi Tex No. 13, Special Tex 6.
Manfred Sommer : 546, 547, 17 Special Tex, Almanac West 2009 (Sommer dies and leaves the story unfinished, hers are just the first 90 pages).
Antonio Segura, hyphens: Tex Maxi 1997, Maxi Tex 1999, 2000 Maxi Tex, Tex Maxi 2004, Maxi Tex No 13.





addition of English authors, I would also highlight the following: Guido Buzzelli
: Speciale Tex 1. Joe Kubert
: Speciale Tex 15. Ivo Milazzo
: Speciale Tex 13.
Roberto Raviola (Magnus) : Speciale Tex 9. Miguel Angel
Repetto : 504, 505, 526, 527, 544, 565, 566, Almanacco the West 1999, West Almanacco 2002, Tex Maxi 2000, Maxi Tex 2002 Tex Maxi 2005. Ernesto Garcia Seijas
: 571, 572, West Almanacco 2007. Colin Wilson
: Speciale Tex 14.





The vast majority of the texts of this post comes logically from the book itself herewith written by Norman Fernandez except data concerning the chronology of artists who come from within the web of Bonelli : http://www.sergiobonellieditore.it/index.html because of the lag between the publication of this book (2002) and the present, as Alfonso Font and Jose Ortiz have continued to work over the years and produce new stories.